My abstracted paintings reflect engagement with modern life — both its liberating and destructive forces. On closer inspection, references to the critical issues of our time emerge. Art is perception and emotion, and therefore inevitably political.
Intuition and improvisation form the background, contrasted by figurative elements that question complexity and, in doing so, themselves: origin, being, and becoming. This tension invites viewers into personal reflection and dialogue.
A central theme is the man as protagonist in modern life — ambition, desire, love, mortality, and the mystery of masculinity.