Dawntide
Inclusief btw
€59.00
Formaat: 30 x 40 cm / 12 x 16″
Omlijsting: No Frame
Inspired by seaweed washed ashore in the soft pink light of early morning, Dawntide captures the quiet beauty of the coast as a new day begins. Deep sea greens, vivid chartreuse and rose pink drift through pale coastal neutrals, while translucent layers, expressive marks and delicate lines suggest tangled seaweed and the traces left by a retreating tide.
Rather than depicting a particular shoreline, the painting evokes a memory of it, a meeting of colour, movement and soft morning light.
- Poly-cotton blend canvas with a matte/satin finish. Scratch, crack, and warp resistant.
- Vibrant, long-lasting colors with water-based HP Latex inks and UV protection.
- Solid wooden frame from renewable sources, 4 cm deep.
Shipping usually takes 4-8 business days. If you have any questions about shipping, feel free to contact me through the contact form.
If your order arrives damaged, don’t worry. Just send me a clear photo of the damage, along with the barcode and the packaging, and I’ll arrange a refund or replacement right away.
Misschien vind je dit ook leuk
About the Artist
Hello, I’m Lucy, an abstract artist on the west coast of Ireland, tucked between Atlantic weather and fields that never quite sit still. Most days I’m chasing that in‑between feeling, the way light hits a wet road, or how a hedge dissolves into colour when you’re not looking straight at it.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
I work mostly in acrylic on canvas, building up thin, transparent layers and scraping parts back so older marks re‑appear. It ends up a bit like a controlled car crash of colour and texture: countryside greens, stormy blues, wildflower pinks, all arguing and then somehow settling down together.
I originally studied graphic, product and furniture design, so composition and form are always in the back of my mind, even when the painting looks wild on the surface. I’m self‑taught as a painter in the practical sense, a lot of quiet trial and error, a lot of “what happens if I do this?” and being willing to live with the mess until it turns into something that feels honest.
