Print: For Dear Mr Turner
£16.00
Taille : (A5) 14.8 x 21 cm
Encadrement : No Frame
As I have aged, I see Turner less as an "old-fashioned chocolate box painter" as I once did - and more as a visionary who did so much to push the boundaries of art, and incredibly ahead of his time, with a wide-ranging set of styles. I live not far from where he sketched and painted the shorelines around the Thames in Old Isleworth. And when the sky is full of clouds, I can see what he saw. He lived in Brentford for a while too, not far from my studio, and his inspiration is all around me. This is my tribute to him. The original piece was painted in acrylic and pencil on canvas.
Depending on the size of print ordered, it will crop with slight adjustments
Depending on the size of print ordered, it will crop with slight adjustments
- Acid- and lignin-free and made to last.
- The natural finish enhances vibrancy and depth.
- Textured matte surface that enhances depth without losing clarity.
- Handmade wooden frame from Italy.
Shipping usually takes 4-8 business days. If you have any questions about shipping, feel free to contact me through the contact form.
If your order arrives damaged, don’t worry. Just send me a clear photo of the damage, along with the barcode and the packaging, and I’ll arrange a free replacement right away.
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About the Artist
Lizzie O’Grady is an Isleworth-based artist working from her studio in Brentford. Selected to exhibit at the London Art Biennale 2025, she was also winner of the Richmond wildcard heat in Sky Arts - Landscape Artist of the Year, chosen from 50 competing artists.
Her graphic design background informs a practice that explores the relationship between the natural world and the built environment. Drawing on the structural languages of Futurism, Synchronism, and Cubism, she responds to the geometry of modernist and historical architecture and the shifting skies of West London. Through this ongoing engagement with her immediate surroundings, her work continues to evolve, balancing compositional precision with the energy of the landscape.
Her graphic design background informs a practice that explores the relationship between the natural world and the built environment. Drawing on the structural languages of Futurism, Synchronism, and Cubism, she responds to the geometry of modernist and historical architecture and the shifting skies of West London. Through this ongoing engagement with her immediate surroundings, her work continues to evolve, balancing compositional precision with the energy of the landscape.
