The Wrathful Sky
£28.00
Tamaño: 20 x 20 cm / 8 x 8″
Enmarcado: No Frame
This painting depicts a world engulfed in turmoil in 2024 —both environmental and political. By October 2024, the devastation was palpable; destruction loomed large on the horizon. The sky transformed, taking on a deep, ominous red, infused with a sense of fury that mirrored the strife gripping the planet. Wisps of smoke twisted and danced, illuminated by jagged streaks of lightning that pierced the darkness, a haunting reminder of our fractured humanity. Each crack of thunder resonated with the weight of our collective anguish, as the world seemed to teeter on the brink of chaos.
This piece was selected for display at the London Art Biennale in Chelsea, July 2025, as one of 350 works by international artists chosen from 10000 entries.
This piece was selected for display at the London Art Biennale in Chelsea, July 2025, as one of 350 works by international artists chosen from 10000 entries.
- Poly-cotton blend canvas with a matte/satin finish. Scratch, crack, and warp resistant.
- Vibrant, long-lasting colors with water-based HP Latex inks and UV protection.
- Solid wooden frame from renewable sources, 4 cm deep.
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About the Artist
Lizzie O’Grady is an Isleworth-based artist working from her studio in Brentford. Selected to exhibit at the London Art Biennale 2025, she was also winner of the Richmond wildcard heat in Sky Arts - Landscape Artist of the Year, chosen from 50 competing artists.
Her graphic design background informs a practice that explores the relationship between the natural world and the built environment. Drawing on the structural languages of Futurism, Synchronism, and Cubism, she responds to the geometry of modernist and historical architecture and the shifting skies of West London. Through this ongoing engagement with her immediate surroundings, her work continues to evolve, balancing compositional precision with the energy of the landscape.
Her graphic design background informs a practice that explores the relationship between the natural world and the built environment. Drawing on the structural languages of Futurism, Synchronism, and Cubism, she responds to the geometry of modernist and historical architecture and the shifting skies of West London. Through this ongoing engagement with her immediate surroundings, her work continues to evolve, balancing compositional precision with the energy of the landscape.
